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From the execution sermons of the Colonial era to television programs like The Wire and The Sopranos, crime writing has played an important role in American culture. Its ability to register fear, desire and anxiety has made it a popular genre with a wide audience. These new essays, written for students as well as readers of crime fiction, demonstrate the very best in contemporary scholarship and challenge long-established notions of the development of the detective novel. Each chapter covers a sub-genre, from 'true crime' to hard-boiled novels, illustrating the ways in which 'popular' and 'high' literary genres influence and shape each other. With a chronology and guide to further reading, the Companion is a helpful guide for students of American literature and readers of crime fiction.
- Sales Rank: #1726473 in Books
- Published on: 2010-09-13
- Released on: 2010-07-08
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .43" w x 5.98" l, .75 pounds
- Binding: Paperback
- 208 pages
Review
"Fourteen essays by academics include some valuable history and analysis..."
-John L. Breen
..."the Companion succeeds in presenting the richness and diversity of works that form the genre, and the many ways in which crime fiction remains enormously relevant to the popular cultures of today."
-Tarik Abdel-Monem,University of Nebraska-Lincoln
About the Author
Catherine Ross Nickerson is Associate Professor of American Studies at Emory University, Atlanta. She is the author of The Web of Iniquity: Early Women Writers of Detective Fiction (1998) and she has edited two volumes of reprinted novels from early detective fiction: Anna Katharine Green, Lost Man's Lane and that Affair Next Door and Metta Victor, The Dead Letter and the Figure Eight (both 2003). She has also received the 2011 George N. Dove Award for Contributions to the Study of Crime Fiction.
Most helpful customer reviews
14 of 14 people found the following review helpful.
An academic text.
By Greg
The prospective reader of this book should be aware of what it is and what it is not. It is not a book targeted at the general reader who is interested in learning about the mystery genre. It is a book of literary criticism aimed at academics, and I suspect that as that, it is fairly good. It assumes a familiarity with a large number of works, some well known, some fairly obscure. It also is more concerned with topics such as feminism, racism, and post modernism than in who wrote what when, and who wrote the best mysteries. The general reader is probably better served with books such as Julian Symoms' "Bloody Murder" or P. D. James' "Talking About Detective Fiction".
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