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A Concise History of Western Music, by Paul Griffiths
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Engaging, clear and informative, this is the story of western music - of its great composers and also of its performers and listeners, of changing ideas of what music is and what it is for. Paul Griffiths shows how music has evolved through the centuries, and suggests how its evolution has mirrored developments in the human notion of time, from the eternity of heaven to the computer's microsecond. The book provides an enticing introduction for students and beginners, using the minimum of technical terms, all straightforwardly defined in the glossary. Its perspective and its insights will also make it illuminating for teachers, musicians and music lovers. Suggestions for further reading and recommended recordings are given for each of the 24 short chapters.
- Sales Rank: #408836 in Books
- Published on: 2009-12-14
- Released on: 2009-11-05
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .75" w x 5.43" l, 1.05 pounds
- Binding: Paperback
- 360 pages
From Publishers Weekly
Cambridge's target audience for its new book is "students and beginners," and this may explain why the book, unlike other single-volume music histories, is devoid of demonstrative score samples. It does not, however, explain the book's spotty approach, which may confuse those same beginners. After a brief mention of music in the ancient world, Griffiths jumps to the early Middle Ages in Europe, addressing the fundamental importance of music notation. From this point, Griffiths leads a tour through 1100 years of music-making, addressing simultaneous developments in many areas of Western culture, including politics, literature and mathematics. The effectiveness of this approach becomes questionable as the volume enters the Baroque era, when the number of composers and the variety of styles expand rapidly. Though the text is filled with Griffith's typically excellent, thought-provoking observations-he's written for The New Yorker and The New York Times-his writing from this point meanders, like a casual conversation. One can learn about trends and ground-breaking works here, but trying to get a picture of Schoenberg's career and development, for instance, is difficult. The method also leads to some chapter misnomers: the author's discussions of Verdi, Bizet and 19th-century Russian Nationalists are in the chapter, "New Germans and Old Vienna." For these reasons, the volume will be more useful to seasoned readers than to novices. A glossary is welcome and helpful, as is a list of recommended readings and recordings.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Centered on the conceptualization of time in music, Griffiths' precis traces a course of development from ancient Greece and Babylonia to the present. Western music began with single-part chants, to which multiple lines (polyphony), instruments, and rhythms were quickly introduced. Time in music changed from the even-valued pitches of chant to complex rhythmic patterns, from the unmeasured to the finely divided line. By the sixteenth century, ensembles of performers were the norm. Griffiths cites most major composers in each of the commonly accepted musical periods (baroque, classical, romantic, etc.), describing their contribution to the advancement of musical concepts and how the culture influenced their creativity, and also how composers experimented to progress from humanistic motivation to the complex use of technology to create music. Concluding with the ups and downs of the last 40 years, Griffiths suggests that to survive, music of the future will continue to depend on composition, performance, and listening. A well-written must for classical-music listeners and teachers. Alan Hirsch
Copyright © American Library Association. All rights reserved
Review
"Centered on the conceptualization of time in music, Griffiths' precis traces a course of development from ancient Greece and Babylonia to the present...A well-written must for classical-music listeners and teachers."
-Booklist
"One of the UK's most eloquent and intelligent writers on classical music, Griffiths' A Concise History of Western Music (concise maybe, but substantial enough to merit every one of its 350 pages) is a joy."
-The Book Depository
"Hidden behind the deadpan title is an extremely rich and thoughtful text: a concise history, as it says on the tin, but also a warm meditation on the philosophy of music...Each chapter culminates in a subtle cliff-hanger, and the whole thing reads exquisitely."
-Guardian
'Anyone who can write a concise history of music deserves a medal...Paul Griffiths, adept at clear, succinct presentations, manages to reduce the millennia and centuries to just 300 pages; and, to make matters easier, he gives the terms without which the story cannot be told a brisk and lively explanation and encourages the reader to read, listen further and think...an original and a stimulating book."
-Methodist Recorder
"...(an) elegant and highly readable style...thought-provoking, compelling and remarkably comprehensive narrative...this is easily one of the most thought-provoking, enjoyable and stimulating reads on Western music to have been published in the past ten years."
-BBC Music Magazine
"The book is clearly laid out, with page - heading summaries making it valuable for academic study."
-International Record Review
"...attention to the ways of the different musics of the past and present 'proceed through time' is the main novelty of this book...A Concise History of Western Music [is] new and distinctive. This is an adroit and knowing book..."
-Joseph Kerman, The New York Review
Most helpful customer reviews
25 of 25 people found the following review helpful.
Succinct Summary
By Susan R. Grant
This book, at 316 pages of text, is about as concise as one can be about western music and still cover it reasonably well. This is not a "Music History 101" sort of book, but a reflective discussion of music in the west over centuries. I liked the chapters on modern and postmodern music composers, which I have always regarded with some impatience, (as in,"when are you people going to get a grip..."), but Griffiths writes with real appreciation. The editorial description is very accurate- the book is better read by musicians with some background than people first dipping into music history, but I found it an enjoyable refresher, and it was short enough for one to see the forest rather than be overwhelmed by trees, as in the bulky volumes I remember from college.
0 of 0 people found the following review helpful.
It really is a concise history of western music, just like the title says
By ak
The title is accurate - this is truly a concise history of western music, particularly the music of the church. My music professor thought a few sections were a little too simplistic and was able to provide more context in those areas, but on the whole it was a really helpful book and I learned a lot about where the church has been musically through the centuries.
0 of 0 people found the following review helpful.
The book is terrific, just what my professor ordered
By David Gray
The book is terrific, just what my professor ordered, and will be a great help to me in class. Thans\ks.
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